The National Review, the centre of dubious conservative intellectualism, just released a list of the best ‘conservative' movies of all time. While I have no problem with the quality of the movies chosen (300, and the Pursuit of Happyness aside) I do find myself wondering what makes these movies conservative. The NR criterion states that a conservative movie is one that "offers compelling messages about freedom, families, patriotism, and traditions..." Oh-kay.
Bonus points for goofy inclusions like Red Dawn (what, no Road House?), Ghostbusters, TDF favourite Gran Torino, and Groundhog Day.
My favourite mini-reviews from the list:
18. The Edge (1997): Screenwriter David Mamet uses a wilderness survival story about friendship, betrayal, and forgiveness to present a few truths rarely seen in movies: Knowledge has its limits, fortitude is a weapon against hardship, and honor can motivate even the shallowest man to great sacrifice. Some have interpreted the film as a Cold War allegory because it features a menacing bear. The main characters (played by Anthony Hopkins and Alec Baldwin) understand that there is neither wisdom nor nobility in waiting for others to save them, and that they must take responsibility for their own lives and souls. Life is unfair, but to challenge life on its own terms is an exhilarating reward, no matter the outcome.
17. The Chronicles of Narnia: The Lion, The Witch, and The Wardrobe (2005): The White Witch runs a godless, oppressive, paranoid regime that hates Santa Claus. She's a cross between Burgermeister Meisterburger and Kim Jong Il. The good guys, meanwhile, recognize that some throats will need cutting: no appeasement, no land-for-peace swaps, no offering the witch a snowmobile if she'll only put away the wand. Underlying the narrative is the story of Christ's rescuing man from sin - which is antithetical to the leftist dream of perfected man's becoming an instrument for earthly utopia. The results of such utopian visions, of course, are frequently like the Witch's reign: always winter, and never Christmas.
16. Master and Commander (2003): This naval-adventure film starring Russell Crowe is based on the books of Patrick O'Brian, and here's what A. O. Scott of the New York Times said in his review: "The Napoleonic wars that followed the French Revolution gave birth, among other things, to British conservatism, and Master and Commander, making no concessions to modern, egalitarian sensibilities, is among the most thoroughly and proudly conservative movies ever made. It imagines the [H.M.S.] Surprise as a coherent society in which stability is underwritten by custom and every man knows his duty and his place. I would not have been surprised to see Edmund Burke's name in the credits."
You left out "Blast From The Past." Man, they were really scraping the bottom of the barrel with that one.